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Jaune Quick-To-See Smith, Citizen of Confederated Salish and Kootenai Nation, MT, Special Outfi…
Special Outfit for Trading Land with the U.S. Government for Whiskey with Gunpowder in it (from the series Paper Dolls for a Post Columbian World)
Jaune Quick-To-See Smith, Citizen of Confederated Salish and Kootenai Nation, MT, Special Outfi…
Jaune Quick-To-See Smith, Citizen of Confederated Salish and Kootenai Nation, MT, Special Outfit for Trading Land with the U.S. Government for Whiskey with Gunpowder in it (from the series Paper Dolls for a Post Columbian World), 1991, xerographic print with watercolor and pencil, 17 1/8 x 11 in. Collection of the New Mexico Museum of Art. Gift of Lucy R. Lippard, 1999 (1999.15.301.6).

Special Outfit for Trading Land with the U.S. Government for Whiskey with Gunpowder in it (from the series Paper Dolls for a Post Columbian World)

Artist (American, Citizen of Confederated Salish and Kootenai Nation, MT, born 1940)
Date1991
Mediumxerographic print with watercolor and pencil
DimensionsSupport: 17 1/8 × 11 in. (43.5 × 27.9 cm)
Image: 16 3/8 × 9 1/4 in. (41.6 × 23.5 cm)
Mat: 24 × 20 in. (61 × 50.8 cm)
ClassificationsGraphic
Credit LineGift of Lucy R. Lippard, 1999
Object number1999.15.301.6
DescriptionThe image is of a paper clothes outfit meant for a paper doll. Four tabs are visible on the shoulders and legs of the costume. The outfit is in a Native American style and consists of a red shawl/blanket, green pants, and yellow moccasins. The text above the outfit reads: Special Outfit for Trading Land with the U.S. Government for and the text below says: Whiskey with Gunpowder in it.
eMuseum Notes
Contemporary Native artists like Jaune Quick-To-See Smith look back on the history of negotiations between the U.S. government and indigenous people with a critical eye. In Smith’s work, the same kinds of blankets that once represented an ethnic group comes to stand as symbols of Native people’s troubled history with the U.S. government. 
Jaune Quick-To-See Smith’s complete set of Paper Dolls for a Post Columbian World with Ensembles Contributed by US Government includes a doll for each member of the Plenty Horses family: Ken, Barbie and their son Bruce. This set of dolls was the artist’s ironic response to the 500th anniversary of the arrival of Christopher Columbus in the Americas. The use of xerographic copies, with hand color applied, allowed the artist to make multiple versions of the paper doll family for widespread distribution. The controversial 1992 celebration of the Columbus Quincentenary prompted many exhibitions, symposia and articles reevaluating the myth of discovery and the consequences of contact to the indigenous people and environment of the Americas.
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