Skip to main content

Real Indians

Artist (American, Tlingit/Nisga’a, born 1955)
Date1977 (printed 2007)
Mediumpigment print
DimensionsImage: 9 × 9 in. (22.9 × 22.9 cm)
Support: 10 × 10 1/2 in. (25.4 × 26.7 cm)
Mat: 20 × 16 in. (50.8 × 40.6 cm)
ClassificationsPhotograph
Credit LineGift of Patrick Nagatani, 2016
Object number2016.4.1
DescriptionOne-story building on diagonal at back of composition with several doors and windows and prominent text and graphics at top, including man on rearing horse and “THIS IS IT! MOST INTERESTING SPOT” … “WHERE REAL INDIANS TRADE”…. At left, man with crossed arms, long dark hair with headband, and moustache leans against the side of an old car parked in gravel lot in front of building.
eMuseum Notes
Made when the artist was in his early twenties, this self-portrait marked a defining moment in Larry McNeil’s creative practice. At a time when Native artists were asserting their right to define and give voice to indigenous culture, the young photographer juxtaposes himself, a real Indian, with the exaggerated advertising at the Santo Domingo Trading Post. “Even as a young photographer I recognized the humor and irony this photograph represented,” McNeil writes. “After all, it is kind of funny.”
On View
Not on view
Tonto’s TV Script Revision
Larry McNeil
Created 2008, printed 2022
White Raven Ceremonial
Larry McNeil
Created 2010, printed 2022
Untitled  (Budweiser can)
Walker Evans
1972-1974
Water Street
B. J. O. Nordfeldt
1936
Untitled (Indians at Pueblo)
William Penhallow Henderson
1917
Sacred Power Pole
Larry McNeil
Created 2008, printed 2022
Vintage gelatin silver print- portrait of Bill Lippincott
Ansel Adams
circa 1932
Ivy (from the New Mexico Portfolio)
Wayne R. Lazorik
1973 (printed 1976)