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Chromogenic print from the portfolio series, “The Lowriders: Portraits from New Mexico." Franke…
Franke Maestas and Vangie Martinez, Chimayo, ’62 Ford Fairlaine
Chromogenic print from the portfolio series, “The Lowriders: Portraits from New Mexico." Franke…
Chromogenic print from the portfolio series, “The Lowriders: Portraits from New Mexico." Franke Maestas and Vangie Martinez, Chimayo, ’62 Ford Fairlaine

Franke Maestas and Vangie Martinez, Chimayo, ’62 Ford Fairlaine

Artist (American, born 1948)
Date1980
MediumChromogenic print
DimensionsImage: 6 3/4 × 9 1/2 in. (17.1 × 24.1 cm)
Support: 14 1/8 × 17 1/8 in. (35.9 × 43.5 cm)
ClassificationsPhotograph
Credit LineGift of Harvey Mudd
Object number2020.13.7
DescriptionFrom the portfolio “The Lowriders: Portraits from New Mexico.” Horizontal picture with side view of red 1962 Ford Fairlaine parked in front of corner of a stucco or adobe building. In the driver’s seat is a dark-haired woman and a small dog. Leaning against the side of the car is a dark-haired man in flared blue jeans and a black shirt, wearing sunglasses.
eMuseum Notes
Rubenstein was fairly new to New Mexico when a patron challenged her to include portraits of lowriders in her series celebrating the craftspeople of the state. At the time this picture was taken, many people saw lowriders and their clubs in a negative light and some cities banned the cars. Though initially hesitant to make contact with lowriders, Rubenstein quickly found common ground with them as fellow artists. Her resulting series of portraits and a 1980 exhibition of them, held on the Santa Fe Plaza, brought lowriders and their passion for customizing cars to a broader public and contributed to a slow shift in attitude toward appreciation and civic pride.
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