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Georgia O'Keeffe, Desert Abstraction (Bear Lake), 1931, oil on canvas, 16 1/2 x 36 1/2 in. On l…
Desert Abstraction
Georgia O'Keeffe, Desert Abstraction (Bear Lake), 1931, oil on canvas, 16 1/2 x 36 1/2 in. On l…
Georgia O'Keeffe, Desert Abstraction (Bear Lake), 1931, oil on canvas, 16 1/2 x 36 1/2 in. On long term loan to the New Mexico Museum of Art from the Museum of New Mexico Foundation (1984.336). © Georgia O’Keeffe Museum. Photo by Blair Clark.

Desert Abstraction

Artist (American, 1887 - 1986)
Date1931
Mediumoil on canvas
DimensionsSupport: 15 15/16 × 35 13/16 in. (40.5 × 91 cm)
Frame: 16 1/2 × 36 × 1 1/4 in. (41.9 × 91.4 × 3.2 cm)
ClassificationsPainting
Credit LineGift of the Museum of New Mexico Foundation in honor of the New Mexico Museum of Art's Centennial year, 2017
Object number1984.336
DescriptionAbstract desert landscape of dunes in the foreground with clouds above and a thin line of blue in the distance.
Text Entries

Like many American artists during the 20th century, Georgia O’Keeffe wanted a Modernism that was distinctly American in both its form and content. While some of her contemporaries looked to cites, industry, or American social culture for this subject matter, O’Keeffe set her eyes on the Southwest and its distinctive geography. O’Keeffe’s approach to abstraction involved simplifying natural forms to their most basic visual elements. The spare desert landscape is particularly well suited to this way of seeing, and O’Keeffe used the land as content for her abstract compositions. Untitled (Desert Abstraction) can be seen as both a landscape and an abstract arrangement of varied colors, shapes and textures and is equally successful either way.

 

Before being acquired by the Museum of New Mexico Foundation, this painting was hung in both Alfred Stieglitz’s Gallery, and in the New York home of the original collector as it is currently on view. However, it later began to be hung and reproduced in the opposite orientation. Once the painting became a part of the museum’s collection, and when prompted by a request from the family of the original owner, we investigated further. Reviewing historic photographs and an inscription by O’Keeffe on the back of the painting, the decision was made to display the artwork in this, its original orientation. That being said, this is a successful abstraction, and it works as a painting either way you hang it. (Waguespack, 2018).

 

An original letter from A. Stieglitz to Mr. Karelsen dated February 24, 1932 refers to the transfer of the painting to Mr. Karelsen by Mr. Stieglitz.  This letter is part of the In-Loan agreement from the MNMF to the MFA(MOA) which occured in October, 1985.   Original transaction No:  1985.367.02

Letter is stored in NMMOA archives: Georgia O'Keeffe Collection, Box 79, Section IX, Folder D13
The foam core backing that was attached to the piece was removed in order to complete cataloging of the object after it returned from the Governor's Residence in 2019.The foam core backing included two labels, which were removed from it prior to being disposed of. The removed labels can be found in the Accession file in the Registrar's office.
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