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Social & Sublime: Land, Place, and Art

Exhibition Info
Social & Sublime: Land, Place, and ArtSaturday, April 13, 2019 - Sunday, November 17, 2019

The 20th century saw some of the most seismic shifts in the tried-and-true tradition of landscape as a subject for artists. In the United States, we left the 20th century with many of the same concerns we entered it with. Among those concerns are issues of land use, expansion and border conflicts, and industrialization and the conservation of natural resources. During that radical period American artists looked at the land and environment through a kaleidoscope of new lenses ranging from the purely formal to the politically engaged. Now that we have moved well into the 21st century, we are well positioned to look back at the way this genre was engaged in the previous century.

Social & Sublime: Land, Place, and Art looks at land through ideological frameworks of wilderness, frontier, landscape and ecology to explore shifting views of nature as an artistic subject across the 20th century. This exhibition presents a series of perspectives relating to how American artists used land and place in their work in dialogue with the social, aesthetic, political, and cultural viewpoints that have shaped our understanding of land.

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E. Martin Hennings, Among the Aspens, before 1939, oil on canvas, 29 1/4 x 29 1/4 in. Collectio…
E. Martin Hennings
before 1939
Border Crossing (Cruzando El Rio Bravo)
Luis A. Jiménez Jr.
September 1986
The Brick Maker
Kenneth Miller Adams
1931
Cow Country
Theodore Van Soelen
1950
Carol Sarkisian, Deluxe Samba Pulling Bambi, 2005, found objects glass beads, gold leaf, silver…
Carol Sarkisian
2005
Stuart Davis, New Mexican Peak, 1923, oil on canvas. Collection of the New Mexico Museum of Art…
Stuart Davis
1923
Oscar Berninghaus, Spring Plowing, 1937, oil on canvas, 34 1/8 × 39 in. Collection of the New M…
Oscar Berninghaus
1937
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