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Artist (American, born Germany, 1936 - 1970)
Date1967
MediumInk and graphite on paper, mounted on board
DimensionsImage: 9 1/8 × 6 1/2 in. (23.2 × 16.5 cm)
Support: 9 1/8 × 6 1/2 in. (23.2 × 16.5 cm)
Support (Secondary): 13 7/16 × 10 1/2 in. (34.1 × 26.7 cm)
Mat: 24 x 20 in. (61 x 50.8 cm)
ClassificationsDrawing
Credit LineGift of Lucy R. Lippard, 2018
Object number2018.7.7
DescriptionNine horizontal lines of circles drawn with ink and six vertical on gray background
eMuseum Notes
The use of humble materials and the repetition of simple forms are all hallmarks of Eva Hesse’s paintings, drawings and sculpture. There is an emotional and psychological intensity in the work that is the result of tension between contrasting elements. Hesse was an early post-minimalist artist, utilizing organic and soft forms in her artwork. Those supple qualities are more closely associated with

human touch and the body than the hard lines of minimalism which are more closely associated with the precision of a machine.

 

In the mid-1960s, the artist began to create sculpture using non-traditional materials, and is most well known for her pioneering work with latex. Her choice of materials contributed to the muted palette of her later work. Hesse made many drawings based upon concentric circles. While following a simple format, each expresses its own individuality through the placement, quantity, size, and the number of bands nestled within each circle.

On View
Not on view
Untitled (Adam and Eve in Forest)
Ernest L. Blumenschein
n.d.
I see
Frederick Hammersley
1978
Untitled
Eve Aschheim
n.d.
Gold I
Sara Sosnowy
1999
Untitled
Agnes Martin
1985
Untitled
Robert Ryman
circa 1963
Death of a Master Narrative
Caroline Hinkley
1990
Shadow Number 65
Arthur Tress
1975
Untitled
Agnes Martin
1989
Recto
Frederick Hammersley
1951
Emil Bisttram, Projection #1, 1961, oil on canvas, 44 x 33 in. Collection of the New Mexico Mus…
Emil Bisttram
1961