Heart Mountain, Japanese-American Concentration Camp, Wyoming, June 4, 1995 / HM-2-16-30 (from the series Japanese-American Concentration Camps)
Artist
Patrick Nagatani
(American, 1945 - 2017)
DateJune 4, 1995
Mediumchromogenic print
DimensionsImage: 10 × 12 in. (25.4 × 30.5 cm)
Support: 11 × 14 in. (27.9 × 35.6 cm)
Support: 11 × 14 in. (27.9 × 35.6 cm)
ClassificationsPhotograph
Credit LineGift of Patrick Nagatani, 2017
Object number2017.12.64
DescriptionA "T" shaped concrete walkway runs diagonally across the composition from center left to center right, ending behind a large rock. Seven large boulders are strategically placed on the pathway. Black and white gravel surround the perimeter of the walkway. The largest boulder has a plaque affixed to it. To the right of center in the middle ground is what appears to be a short, silver-colored pole. In background is a mountain range stretching horizontally across the composition. Blue sky with fluffy clouds concentrated mainly at the left.eMuseum Notes
Typically known for his photographic narratives and colorful constructed imagery, Patrick Nagatani shifts to a more documentary style in his series “Japanese-American Concentration Camps.” In the early 1990s, the artist traveled to and photographed the sites of ten inland camps created by the U.S. government during World War II to forcibly detain citizens of Japanese descent. Families across the nation were required to leave their homes, businesses, land, and property to live in these isolated camps under challenging conditions. Among them were Nagatani’s parents, who were both incarcerated as young adults, his mother at Manzanar and his father at Jerome; his maternal grandfather was separated from his family and held at the Justice Department Internment Camp in Santa Fe, New Mexico. Nagatani’s parents later met married in Chicago, Illinois and, like many prisoners of war, did not discuss their incarceration with their children. The artist and his siblings grew into adulthood knowing very little of their parents’ experiences. This photographic series was his way to explore and claim that family history.
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