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Heart Mountain, Japanese-American Concentration Camp, Wyoming, June 4, 1995 / HM-10-16-38 (from the series Japanese American Concentration Camps)
Heart Mountain, Japanese-American Concentration Camp, Wyoming, June 4, 1995 / HM-10-16-38 (from the series Japanese American Concentration Camps)
Heart Mountain, Japanese-American Concentration Camp, Wyoming, June 4, 1995 / HM-10-16-38 (from the series Japanese American Concentration Camps)

Heart Mountain, Japanese-American Concentration Camp, Wyoming, June 4, 1995 / HM-10-16-38 (from the series Japanese American Concentration Camps)

Artist (American, 1945 - 2017)
DateJune 4, 1995
Mediumchromogenic print
DimensionsImage: 10 1/4 × 12 3/4 in. (26 × 32.4 cm)
Support: 11 × 14 in. (27.9 × 35.6 cm)
ClassificationsPhotograph
Credit LineGift of Patrick Nagatani, 2017
Object number2017.12.70
DescriptionBroad overview of landscape with hillock formation of large rocks and gravel in foreground toward right. Behind it is a boomerang-shaped road with its point at lower left of composition. Between it and at right appear to be fertile agricultural fields. Middle ground includes what appear to be scattered buildings and trees. Mountain range visible in right background. Half of composition is sky with loosely defined cloud formations.
eMuseum Notes
Typically known for his photographic narratives and colorful constructed imagery, Patrick Nagatani shifts to a more documentary style in his series “Japanese-American Concentration Camps.” In the early 1990s, the artist traveled to and photographed the sites of ten inland camps created by the U.S. government during World War II to forcibly detain citizens of Japanese descent. Families across the nation were required to leave their homes, Businesses, land, and property to live in these isolated camps under challenging conditions. Among them were Nagatani’s parents, who were both incarcerated as young adults, his mother at Manzanar and his father at Jerome; his maternal grandfather was separated from his family and held at the Justice Department Internment Camp in Santa Fe. Nagatani’s parents later met married in Chicago and, like many prisoners of war, did not discuss their incarceration with their children. The artist and his siblings grew into adulthood knowing very little of their parents’ experiences. This photographic series was his way to explore and claim that family history.
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